Tuesday, July 17, 2007

A Nude Rue McClanahan

Now did that catch your attention or are you still clawing out your eyes in pain and anguish?

She's not really nude actually, but you can catch Rue McClanahan stripping in the 1968 Hollywood After Dark, with film commentary provided by Mike and the 'bots from Mystery Science Theater 3000-only it is not really "Mike and the 'bots" but rather "Mike and the human 'bot incarnations." This is part of their new (hopefully series) Film Crew project which my Mike and I rented from Netflix.

Hollywood After Dark, like most MST3K films, is incredibly painful to watch on its own, but entirely amusing with MST3K-style razzing. I think the movie itself has something to do with a bipolar junkyard supervisor/hipster/strip club administrator finding love and committing some type of crime for a man with rabbit teeth. I think someone gets killed with a lamp. Anyways, Rue places the love interest and there is a lot of stripping. Scary, scary stripping.

The host segments pretty much suck but to MST3K fans, it is gratifying to know-it's back. And with naughty language too!

But also a semi-clad Rue McClanahan.

Sunday, July 15, 2007

And everybody was Kung-fu fighting...

Them cat's were fast as lightning.

Just caught Live Free or Die Hard today. It was a pretty entertaining romp through the mid-Atlantic region of the Eastern Seaboard. But I'm not really here to talk about that.

What I do want to talk about is the trailer for War, due out August 27.

For those of you who don't know me, I used to teach at the Boston Kung-fu/Tai-chi Club up in the Bay State. I started training in the martial arts when I was 13 in New York, learning Ryu-Renshi Dan and Shotokan Karate. I moved on to modern Wu-shu, tinged by Hun-gar, and dabbled in Aikido and Jow-Ga. I get geeked up for good martial arts films.

Honestly, they don't even have to be that good - they just need to be entertaining.

Jet Li is one hell of a martial artist, and Statham isn't shabby, particularly for someone who first learned it, by some reports, for the movies (hell, I'd known a few who had trained for years who don't look as sharp as he does). I'm hoping it's a decent script. Even if it's not, I'm probably going to see this one. After a number of poor choices that I will write off to a lack of familiarity with the English language, Li has rebuilt his reputation with movies like Hero, Fearless, and Unleashed.

Statham was entertaining in The Transporter, and its weaker sequel, not to mention the weak scripted adrenaline-rush, Crank.

So, yes, I realize there is potential for all sorts of badness here, a-la Kiss of the Dragon, but I've already got my Martial-Arts geek on, based on the trailer I saw in front of Live Free or Die Hard. And if it sucks, come fall, I'll wash the taste out of my mouth with Balls of Fury, due out August 30.

Wait...that sounded gay, didn't it?

Wednesday, July 11, 2007

My Sister-in-law and Superman

Recently my sister-in-law made a great observation over on her blog. She talks a little bit about the fact that the super-hero so closely associated with "the American Way," is an illegal alien, and the irony of that, given the current immigration debate.

The funny thing about Kal-el, Superman, or Clark Kent...whichever name you choose to use, is that he's not just any illegal alien. He is the ultimate illegal alien. He's not even of this world, let alone this country.

Created by Jerry Siegel and Joe Shuster, both sons of Jewish immigrants of European descent, Superman's alien heritage can be thought of as highly symbolic of not just their backgrounds, but the backbone upon which all of the United States was built. It was no accident that the character was written as an alien.

The funny thing is, when taken as a whole - the heroes we read about in the comic books as we grew up were all criminals. Just look at DC's line-up - Superman, Wonder Woman, and J'onn J'onzz were all illegal immigrants, or aliens. All, including Batman, Green Lantern, The Flash, and others, are vigilantes - behavior considered criminal by law.

Consider the further irony of the saber-rattlers who wrap themselves in the flag and call for English to be declared the official language, and who want to close our borders. Let's just take English. Last I checked, they speak German in Germany, Japanese in Japan, and Italian in Italy - yet in America, we speak English - a language this country inherited from another country. If we really want to be AMERICAN, maybe we should look at the languages and dialects of the Cherokee, or Sioux, or Huron.

They were here long before whites...which brings me to my next point.

We are the cast-offs of the rest of the world, other country's refuse. Without immigration, legal or otherwise, we would not have Albert Einstein (would not have won World War II), Ayn Rand, Carnegie-Mellon University, John F. Kennedy, pizza, or hot dogs (a close relative of the German bratwurst). Those are just a fraction of the things and people we would be without. Hell, even our language is a mish-mash of German, French, Latin, and the old Anglo-Saxon languages.

Let's look at, say, Ron Lewandowski - a regional director with the Minutemen, a self-appointed group of America's protectors. The last time I checked, Lewandowski was a Polish name. Not exactly Native American, if you know what I mean.

Personally, I have grandparents who arrived on these shores by way of Italy and Ireland.

Is there a better way for these people to come into the country? It's hard to say - but I do know that trying to close our borders and rounding up millions of illegal immigrants is kind of like sticking your thumb in a leaky dike as a tsunami is about to crash.

If, as a people, we let the concept of isolationism take over and allow small minded bigots to pass legislation that destroys any chance for these people to become legal citizens, we should remove the sign from the Statue of Liberty that exhorts other countries to give us their poor, sick, and huddled masses. Remove it and replace it with a sign that reads "foreigners go home." And then we should tell the writers throughout the comic book industry to go to hell, because the criminals they write about don't reflect the "American Way."